Sunday, February 6, 2011

Custom Designed Studio 63 Music Works Guitar


My next few posts are going to detail the history, specifications, and stories behind this amazing guitar. I'm going to be providing a breakdown of the woods, electronics, hardware and other specifications.  I'm also going to include links to a couple of very important people and products. Ultimately, I'm also going to be including some audio clips of this fine instrument.  This project has been a labor of love that has spanned several years due to constraints with time and money, some mishaps (thank you FedEx!) and also our desire never to rush this project - but to let it take whatever time was necessary for it to turn out righ!

In todays installment, I'm going to talk about How It All Began...

I have an amazing friend - Andy Browning.  He is a talented musician, singer, songwriter, and also has a knack for making amazing guitars and amps.   You can hear his music and see some of his work at
http://www.andybrowningband.com/.  A few years back, Andy build himself a Tele style guitar - not from a kit, but from scratch.  The result was a fantastic guitar that is his "go to" guitar in the studio.   I share many of the same passions as him, and as his guitar came to life I found myself revisiting a familiar dream - having a one of a kind custom guitar built just for me.  Andy offered to help me achieve this dream and we began planning. 

I thought I knew a lot about guitars, but when I really got down to it I realized there were so many small details that often go unnoticed.  Fret size?  Scale length? Fretboard radius? What about a compound radius? Wood type? As Andy fired a lengthy list of questions my way, I confess that I had a hard time answering some of these questions.  I didn't always know the technical response and would instead have to refer to specific instruments I had played that I really enjoyed.  So, with help from Andy and many manufactures websites, and a few trips to the local guitar shops to play on a variety of different guitars, and then lengthy discussions of the pros and cons of various options, we soon settled on a conceptual plan for the instrument.

I then went to work on the body design. I knew exactly what I wanted, and after a morning of sketching, measuring, and more sketching, I had created a full size template of the body shape, complete with a rough layout of the location of controls, and some dotted lines and shading to infer rounding of edges and body contouring.  While the body shape appears to simply be a variation on the classic Stratocaster, its a completely original design that's slightly larger, thicker, heavier, and curvier than a Strat. Certainly, my nearly 20 years of playing a Strat style guitar impacted the style, and there is certainly a subtle referenct to PRS styling.   As guitars go, this guitar is sexy without being overstated.

In my next installment I show off the raw wood used to build this beauty. Stay tuned!!!

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